Roland juno 603/29/2024 ![]() What makes Juno 60 a killer synth actually lies right at the end of its front panel controls next to the chorus buttons, and that is the envelope. And it will squelch nicely when pushed high. Instead of just adding the 'liquid' part of the resonance, this one colors the affected frequency band in a very pleasant way. Still, its filter sounds fantastic and is in fact one of my favorite sounding filters. Too bad there's no 12dB tap point at the filter stage, this would make some really exotic PWM pads for which Juno 60 is known (in combination with its killer Chorus). I gave 5/10 for the features, since it's obviously a single oscillator structure, with one filter and a single envelope. Highly recommended for anyone starting to learn how synthesizers work. Plain simple to learn the basics of subtractive synthesis. Can't be more logical laid out control, can't be more simple to work with. When ever a beginner would ask for the first synth recommendation, my answer would be Juno 60. ![]() What makes Juno 60 special is its user interface. The part that i will focus in here is the analogue signal path that starts at the oscillator point - therefore, from this perspective, i will call Juno 60 an analogue synth. Both answers are actually correct, depending from which angle we look at the problem. Many spears needlessly got broken in debates whether Juno 60's oscillators are analogue or digital. ![]()
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