Blood money movie revew3/28/2024 ![]() ![]() This “art” subtext vies with the film’s tabloid sensationalism, promoting black victimization itself as a form of art. (His neighbor Colman Domingo tells him “The police come around that’s when I saw the true face of fear.”) Hip black artists seem to have no inner lives caught up in superficial activism, today’s black artistes resign themselves to self-exploitation as a way of seeking reparations, fame, and acclaim. Anthony’s depictions of police violence indicate fashionable awareness. Anthony (Yahya Abdul-Mateen II), the black hipster protagonist, moves into Chicago’s notorious Cabrini-Green housing projects, now a series of gentrified row houses but a site forever haunted by America’s racist past, represented by the monstrous Candyman (Tony Todd reprising his original boogeyman role).Īnthony’s paper cut-out artwork proclaims his hypersensitivity in the style of celebrated race-baiter Kara Walker. Here, the story is based in more skittish black bourgeois art-world elitism. ![]() As directed by Nia DaCosta from a script co-authored by Jordan ( Get Out) Peele, Candyman spreads the pall of urban misery unlike the original film’s Nineties liberal consciousness where the scare tactics actually coped with racial memory and made it a cult favorite. ![]()
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